The opening scene of Unsane, recalls two distinct things with no dialog: in a long, handheld POV shot (the movie was shot on an iPhone); it homages the opening credits' style of sleazy, early Hollywood suspense pictures (such as Detour or Decoy), and director Steven Soderbergh's distinct, organic use of color temperature in his mise en scène is … Continue reading “Unsane” Less Can Make For More… [Must-Watch]
Projector of Feelings 