The first in a series of spoiler recaps analyzing Netflix's adaptation of Jeff Lemire's Vertigo Comics masterpiece.
Netflix’s ‘Sweet Tooth’ Significantly Departs From Comic Creator Jeff Lemire’s Vertigo Masterpiece, Diverging Into More Accessible, Hybrid-Genre Territory [Review]
As it seemed befitting for this particular TV program, this article is a kind of hybrid review/feature about "Sweet Tooth's" first season’s success as an adaptation, as well as a look into how it appears to confirm a trend in the modern TV landscape's YA approach to comic-to-screen translations Let’s get this out of the … Continue reading Netflix’s ‘Sweet Tooth’ Significantly Departs From Comic Creator Jeff Lemire’s Vertigo Masterpiece, Diverging Into More Accessible, Hybrid-Genre Territory [Review]
Quentin Dupieux’s Absurd ‘Keep An Eye Out’ Is An Adroit Comedy Exercise Of The Utterly Asinine
An absurd blend of Samuel Beckett and Monty Python, Quentin Dupieux's "Keep An Eye Out" is a short and sweet comedic exercise of the utterly asinine.
‘Atlantis’ Is A Brutally Evocative Slow Cinema Exercise From The Talented Cinematographer Who Shot ‘The Tribe’
An industrial SF film in perpetual mourning, 'Atlantis' is an overlay of everyday mundanity's complex layers of labor and abandonment - a visceral, slow cinema genre exercise from the DP of 'The Tribe'
‘MLK/FBI’ Is A Disquieting Look At The FBI’s Smear Campaign Against Dr. Martin Luther King [Must-Watch]
Appropriately often moving like a heart-pulsing political thriller, "MLK/FBI," is a disquieting historic documentary that deserves a place on the shelf beside seminal works such as Ava DuVernay's "13th."
Projector of Feelings 