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Category: Film Theory

January 22, 2021May 25, 2021 Andrew John Bundy Cinema, Film Theory, Review

‘Atlantis’ Is A Brutally Evocative Slow Cinema Exercise From The Talented Cinematographer Who Shot ‘The Tribe’

An industrial SF film in perpetual mourning, 'Atlantis' is an overlay of everyday mundanity's complex layers of labor and abandonment - a visceral, slow cinema genre exercise from the DP of 'The Tribe'

December 7, 2020January 16, 2021 Andrew John Bundy Cinema, Critical Essay, Film Theory

Christopher Nolan’s ‘Tenet’ – Seeing The Cause After The Effect Caused A Double-Sided Film To Flop

Nolan's grandly misunderstood double-sided film was released at the worst possible time

November 26, 2020December 6, 2020 Andrew John Bundy Critical Essay, Film Theory, Television

Fargo Season 4 – Ep 7 & 8 Recap: “Lay Away,” “The Nadir,” God-Given Rights & Grim Reapers

Mirroring "Miller's Crossing's" over the top style, "Fargo" pays tribute to a true crime massacre, as death itself closes in on most all our characters.

November 16, 2020November 19, 2020 Andrew John Bundy Critical Essay, Film Theory, Television

Fargo Season 4 – Ep 6 & 7 Recap: “Camp Elegance,” “Lay Away,” Tall Tales Of The Snake Oil Salesman

As Fargo's mob war heats up, the foundational roots of American mythology's impact on the plight of the common snake oil salesman comes further into light.

November 12, 2020November 21, 2020 Andrew John Bundy Critical Essay, Film Theory, Television

Fargo Season 4 – Ep 5 & 6 Recap: “The Birthplace Of Civilization” “Camp Elegance,” O Satchel, Where Art Thou

The new season of Fargo has a lot more in common with Joel and Ethan's mythological musical ventures than one might think.

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