Warrior Season 2's third hour goes out with a hell of an ending, as the question of what makes a hatchet man looms larger over our troubled cast.
‘I’m Your Woman’ Dabbles In Criminal Style, But Is Ultimately A Family Drama That Rings Thematically Unearned [AFI Fest Review]
Genre films can be made purely for entertainment or they can be made to explore grander ideas; when you do neither in favor for a little bit of both, it’s almost always a detriment to the aims of a storytelling vision. Julia Hart’s “I’m Your Woman,” - the opening night premiere for 2020's virtual AFI … Continue reading ‘I’m Your Woman’ Dabbles In Criminal Style, But Is Ultimately A Family Drama That Rings Thematically Unearned [AFI Fest Review]
‘Martin Eden’ Interweaves Old Film Footage So Flawlessly, You’ll Forget What Time Period You’re In [Must-Watch]
One of the best films of year, there is almost an invisible vitality to "Martin Eden." Every cut and compositional choice so harmoniously antithetical (that's a compliment) that an overly saturated celluloid flicker might spring to life with the addition of a needle-drop - a MUST WATCH.
Fargo Season 4 – Ep 2 & 3 Recap: “The Land Of Taking And Killing” / “Raddoppiarlo,” An Apple Pie Stick-Up, Plus A Pair Of Sibling Squabbles
The new season of Fargo doubles down on its dreamy "Raising Arizona"-esque outlaw mythology.
‘The Trial Of The Chicago 7’ Aims To Light A Political Fire But Falls Flat With Its Faux-Spielberg Fluff Approach
Aaron Sorkin's long gestating "The Trial of the Chicago 7" is an overall mixed bag - part inferno of political rage, part Hollywood Spielberg fluff. Mark Rylance steals the flick.
Projector of Feelings 